#Snakeskin filters for photos how to
#Snakeskin filters for photos skin

You would be correct to recoil, but don’t worry, it’s all about to get better with the next step. It’s difficult to give specific numbers here, but a radius of 100 and above is a good starting point. Increase the value until you begin seeing more and more of your image coming through from behind the gray mask of the high-pass. Generally speaking, the higher the number for the radius, the more intense the smoothing effect will be. It’s here where we must set the radius for the high-pass filter, but don’t get nervous. Next, we’ll add the high-pass filter to our newly duplicated layer.įind the high-pass filter located under the ‘Filter’ tab. I’ve renamed the copy just to keep track. The easiest way to duplicate the layer is to click on it and use the keyboard shortcut Ctrl+J on Windows or Cmd+J for Mac.

#Snakeskin filters for photos how to

There’s a great article here at Digital Photography School which talks about how to use high-pass for easy, effective sharpening.Īfter you bring your photo into Photoshop, the first thing we will do is duplicate that layer.

If you’re familiar with processing your images in Photoshop, you’ve likely heard about how powerful the high-pass filter can be for sharpening your photos.

#Snakeskin filters for photos skin

The engine which will drive our skin smoothing effect is an old stand-by tool found in Photoshop called the “high-pass filter”. No really, this is incredibly simple and relies on just a few basic features of Photoshop that won’t give your photos that gaudy, “in your face” sort of skin smoothing. The amount of skin smoothing and retouching can vary from subtle smoothing of skin to extreme masking of each and every blemish we all possess to one extent or another.įortunately for us, there is an easy way to take full control of how much skin smoothing we apply (and where) when we bring our portrait images into Photoshop. One of the largest issues that portrait photographers can face is how much (or how little) to retouch the, well, let’s call them the “imperfections” of their subject’s skin. Not because of concerns over lighting or wardrobe or hair or even makeup…although…sheesh. When you think about it, shooting portraits can be extremely tricky.